Wall and Jones is a former tailors shop on the main Hackney Road, London E2, (directly over the road from the Hackney City Farm on he boarders of Broadway Market and Columbia Road Flower Market). Emma and I shall be presenting some recent paintings and pieces alongside all the colourful fabric, the dressmaking, the handmade jewellery that’s produced in the glorious space, all the vintage treasure, the Edwardian pop art, the velvet, the silk, the sewing machines and the Victoriana. Come find out paintings hanging in and around the two floors of treasure next weekend. We’re rather excited about this one, something a little different rather than another white wall…
Emma Harvey and Sean Worrall present a collection of paintings in and around the treasure to be found within Wall & Jones.
Wall & Jones is the home of a small group of designers working and creating within a beautiful old tailor’s shop on the Hackney Road, a treasure trove of a space that has been transformed into a cabinet of curiosities, housing the two designers’ latest collections in an aesthetic of Victorian tatter
Harvey and Worrall will share the space with Wall and Jones for a weekend at the end of May, the two artists will hang a collection of recent paintings around the creations of the in-house designers, the hand made clothing, the fabrics, the colour, the silk, the linen, the old flags and prints, the jewellery and the curios to be found in the packed shop space and the treasure-filled basement downstairs.
“The place has been exciting us both for months we’ve been staring through the windows magpie-like on our way past, the fabrics, the colours, the glorious clutter, we’re excited to have this chance to be showing work here amongst all the beauty”
Harvey & Worrall will open at Wall & Jones, 340 Hackney Road, London, E2, on Friday 27th May for an evening preview (6pm until 8pm) and then be in the space on Saturday 28th and Sunday 29th May from 11am until 6pm
Cultivate first came together as a result of the frustration we felt as London-based artists in terms of the way we were (and still are) treated as artists. We decided that, rather than just moan about it, we;’d do it ourselves We continue to do it ourselves, group shows, solo shows, shows here and there, inviting artists to come be involved, you know what we’re about (well hopefully yo do). I’d rather be shouting about all the exciting art and artists, than banging on about the way artists are treated yet again, really must write a piece about Rosso and This One and what went on under the railway arch, but I a bit of a bee buzzing in my bonnet today……..
Got an unexpected phone call from a rather pushy PR person this morning, he was asking me to give away a painting to be auctioned for a charity event. Now normally, in theory, I don’t have a problem with this, but he was being particularity demanding and pushy and a little bit aggressive (I’d never dealt with him before, as far as I know I don’t know him). I asked him if his company was working for free on the PR campaign for the auction and if he was going to be giving his time for free? He was very evasive and unwilling to answer, eventually he conceded that no he and his staff “could not be expected to give up working time”, so yes, he was being paid, a “reduced fee” as he insisted on stressing a couple of times, but they were being paid. I asked him if he though that was reasonable, he gets paid for his time while I spend my time and money (on materials) on a painting? I said I’d donate a painting if he’d donate his time for free as well, he said no and that he had office expenses and rent to pay and blah blah (of course my paint and rent is free, I don’t have any bills to pay) . I’ve given away several paintings to charity in the last few years, indeed we’ve been involved in fund raising events as Cultivate, not something I shout about, but in theory, as broke as I am, I am happy to try and do this when I can. But hey Mr PR man, don’t take the piss and don’t treat me like I owe you a living. This has annoyed me this morning, what makes a PR company person think things should work like that, he really was aggressive demanding, he said I was heartless and I well, I won’t go on…. just don’t take things for granted.
Today, I should be delivering a painting to a private buyer in Luton, the train ticket is sitting here, it won’t be used now, the guy cancelled on me yesterday, he commissioned the painting last month. I’m not that keen on doing commissions normally, but this seemed interesting and fitted in with what I do anyway, we kept in constant touch, he seemed very enthusiastic until yesterday when a one line e.mail informed me he had changed his mind… so the painting is sitting here, the unused train ticket is sitting here and you know, this is just a little annoying. Don’t take artists for granted, you wouldn’t get away with doing this to a plumber or an electrician (thankfully I did make the guy pay a small deposit, he hasn’t asked for that back yet, but…), A couple of weeks ago I got asked if one of my paintings could appear on an album cover, the record label involved was quite a big one, certainly not a shoestring D.I.Y operation, no payment involved though, apparently it would have been “good publicity”, I might have said yes if it had been a decent band who genuinely had no budget but hey….
Last month I was asked to go paint live at what looks like it is going to be a reasonably big music festival, seemed like a good event, some decent bands playing, some good people involved and such, I said yes, I rather stupidly assumed I was going to at least get some expenses and costs covered, I was kind of looking forward to it. The organiser got in touch a few days back to confirm it all and to see if it was okay to add my name to the posters and the publicity and could I also start publicising it via the Organ and such, apparently, as she pointed out, I’m good at publicity. Then she casually mentioned that I’d better hurry up or I’d miss out on the early bird tickets and have to pay full price to get in. What!? Seems I was expected to buy a £70 early bird ticket to get in to the event I was being billed to appear at? Silly me, what on earth made me think that at least my travel expenses would be covered and that the cost of material would be taken in to consideration for an event that i was being advertised as taking part in?How silly of me, artists get to ride trains for free, we don’t have bills, where is my I’m an artist free rail travel card, can’t seem find it in the studio here…
I know no one forces me to do what I do, no one owes me a living, and in the big scheme of things, the fight for the NHS and the the junior doctor’s strike today that we should all be supporting and shouting about and such, this expecting me to do everything for nothing is not that important, and I know that it is my choice to live like I do and live on cheap baked beans while I make art (actually it isn’t really a choice, it really is something I have to do, something I’m burdened with), but really, stop taking artists for granted, if you want me to give my time, you give yours as well, if you want to commission a painting then don’t cancel at the last minute without the decency of an explanation, if you can’t afford it then say so (it isn’t like I was charging a fortune in the first place!) and if you want to advertise that I’m painting at your big money making music festival then at least pay me like you’re paying the bands or the DJs (or yourselves). As far as I know, unless I missed the memo, we artists don’t get to live rent free, we don’t get to go to supermarket with our “I’m artist I don’t have to pay” card and take what we need to survive, as far as i know we have bills just like everyone else 9I think those things piling up over there are bills?), it might be news to some, but paint costs money (or so the man at Chrome and Black keeps telling me).
So Mr PR man, I don’t usually make a noise about these things but telling me I was heartless this morning really annoyed me, and no, I’m not buying a ticket for a festival I’ve been invited to take part in (couldn’t afford one anyway!), and if you want to commission me from now on, then at least a hefty slice of the coldhearted money up front please. And no, I’m not giving you a painting for your album cover big record label person…. Now let me paint over this canvas that should be on the way to sunny Luton today, the thing is slightly tainted now. PR man was right about one thing though, I am heartless, they’re leaves! I don’t paint hearts, go see Jimmy C if you want a heart, he’s next door painting hearts…. (sw)
This week the now nomadic artist-run maximalist gallery thing that is Cultivate will head back to the Fount space and that beautiful railway arch by London Fields, Hackney, London E8…
On Tuesday morning, April 12th, a solo show of recent paintings from Sean Worrall called Sometimes They Have Thorns will open. The solo show will run for nine days with a late night viewing on Thursday evening, April 14th at 6pm until 9pm, all are welcome. The show will be open 11am until 6pm from April 12th until Wednesday April 20th
Sean will present a series of recent paintings, a series that started at the Reveal show and formed a big part of his #43 show that happened on the 43rd day of the year with that one day show on the street under a railway bridge, the series that continued at the recent Debaser show over at BSMTSpace and will continue once more with new work for this nine day solo show in the railway arch at Fount.
The gallery walls will be alive with thorny growth, leaves on canvas (although some see other things and talk of leafhearts and such). Expect thorns, pruning of growth, gardening, painting on canvas, on found things and for the last time this year the bigger canvas paintings will be on sale at no more than £43 each (there will also be smaller pieces painted on found recycled vinyl or pieces of reclaimed wood, expect work priced as low as £5).
The show will evolve through the nine days with Sean (and others) working at the space (or outside the space) during the period.
And as is tradition now with Sean’s solo shows, there will be a guest wall of artists invited to take part and make use of one wall in the space (Cultivate is about getting art and artists out there, artists coming together and doing it ourselves)
GUEST WALL ARTISTS: LYNNE BLACKBURN, QUIET BRITISH ACCENT, ROSSO, THIS ONE and…
The FOUNT space can be found under the railway arch at Westgate Street, London Fields, Hackney, London, E8 3RN
These days Cultivate is nomadic, Vyner Street is over now and we’re doing different things in different places. In the next few months you can expect Cultivate events to happen on a boat on the Regent’s canal, in amongst the glorious colour of a tailor’s shop in East London, in an open-air square at the foot of Tower Bridge, and just maybe in a conventional art gallery or two as well, oh and back at the Brick Lane Art Car Boot Fair on Sunday June 12th, always one of our favourite days of the year Cultivate will be five this year, five years of doing it our way, thanks for being part of it….
THANKS ONCE MORE, Team Cultivate
Some trumpet blowing cut and pasted, Pritt Stick style, from the pages of Organ…
Debaser opened on Thursday night over at BSMT Space, Dalston, London, N16, the rain was pouring, the people still poured in and we really can’t be blowing our own trumpets on this one for Debaser is a Cultivate show. Cultivate is nomadic now, Vyner Street has gone, the once rather special street previously alive with galleries is now a haven to developers, to self-proclaimed “future thinkers” ripping things apart, to coffee peddlers and expensive redevelopments, our old street corner and pretty much all the galleries have gone and Cultivate now ventures here and there. in the past year we’ve ventured to East London warehouses, to the seaside, to railway arches and on this occasion, to a basement over on the busy main street over in Dalston. Cultivate and Organ, for those of you who don’t know, are very much woven together, and so to review this show is indeed to blow our own trumpets and we can’t be doing that can we?. Then again where are the so-called London art press? All these things going on and none of them ever really bother acknowledging any of it, too busy wearing red hats telling us Tracey has married a rock or Damian has had one of his minions paint another dot rather than get out there to see, and well, let’s blow our own brass wind instrument and tell you about here…
So Debaser opened in the Hackney rain, seventeen artists in a rather welcoming basement gallery on the main Stoke Newington High Road right in the middle of Dalston, just past the Rio Cinema and almost hidden there in plain sight amongst the 99p shops that are being undercut by the 98p shops, the closing down sales and the Turkish food shops, that and all the brilliant noise and colour of Ridley Road market, rather pleasing place to be showing some art, rather like doing things here…..
Down the stairs, white walls and bright lights awaiting, seventeen artists and some more cross-pollination, the street art flavours of This One, Charlie Mcfarley and Skeleton Cardboard comfortably sharing walls with the painterly moves of Bruce Lovelock or Joanna Georgiades, the gothic delights of Deborah Griffin, the intriguingly dark and so often beautiful mind-space of photographer and performer Agata Cardoso, actually no, Agata is a painter who uses a camera rather than a brush.
The shadow-throwing textile flavours of the ever understated Coa Ahmet, the fluidity of M.O.B, the gas masks at bus stops of Rosso, actually to pick out names isn’t fair – each contributor hand-selected and invited, picky picky process putting this show together. A whole bunch of artists once again invited to share Cultivate wall space alongside the leaves and thorns and words and shapes and collages and well I think it worked? I think it flowed? By the time the doors are open the hang has drained things, those pieces don’t hang themselves, back and forth juggling and balancing, moving and changing, this one there, no, over there, fifteen artists invited to share wall space with Emma Harvey and myself. Really pleased to have Rosso back on our walls alongside the energy and line work of Marcelina Amilia and to welcome Matt Reid to a Cultivate for the first time.
I think it went well, the night was busy, the wine flowed, people flowed, arr flowed, music flowed, paintings fed off each other, complimented each other, spoke to each other. Charlie McFarley was a little more black and white than usual, think he might have caught a few people off-guard with his two new pieces, rather like them. Skeleton Cardboard’s comments of life and “likes” and not being able to breathe without wi-fi were appreciated, Quiet British Accent have taken on a Festival of Britain 1950’s feel with their latest graphic pieces, Emma Harvey revealed a second circle painted and more beautiful moving of paint, Arina Orlova got all Hitchcock with her trademark gold, Nadine Talalla has clearly grown in confidence, a expansive canvas piece and a painter breaking out of her shell now… I think we can afford ourselves a little trumpet blowing in the rain of Dalston, think it went rather well.. (sw) .
Debaser opened on Thursday evening March 24th and runs until Sunday March 27th (open11am until 7pm)
Artists involved in Debaser – AGATA CARDOSO, ARINA ORLOVA, BRUCE LOVELOCK, CHARLIE McFARLEY, COS AHMET, DEBORAH GRIFFIN, EMMA HARVEY, JOANNA GEORGIADES, M.O.B, MARCELINA AMELIA, MATT REID, NADINE TALALLA, QUIET BRITISH ACCENT, ROSSO, SEAN WORRALL, SKELETON CARDBOARD and THIS ONE
click on an image to enlarge or run the slide show
Here’s a piece that appeared over on the Organ pages a little earlier today….
“Pass me my trumpet, I need to blow it, it is my trumpet, I can blow it if I want to! Debaser opens this Thursday, eyes will be sliced, only by the thorns though. Got me a movie, I want you to know. Slicing up eyeballs, I want you to know. Girlie so groovy, I want you to know. Don’t know about you, But I am un chien andalusia, Wanna grow… Up to be… Be a debaser! “Black wrote this song about the surrealist short film ‘Un Chien Ansalou’ created by Salvador Dali and Luis Bunuel. He sings “I wanna grow up to be a debaser” because the film debased the art community a the time and it made him want to do the same.”
Debaser: Cultivating in a basement, artists doing it ourselves, doing it on our terms…
The next Cultivate event will happen this week at the rather exciting BSMT Space over in Dalston, London N16. A cross-pollinating group show curated by Cultivate the team of Sean Worrall and Emma Harvey, the busy show will open on Thursday evening March 24th at 6pm, all are welcome.
“We’re not about grand manifestos or wordy statements or cultivating a new whatever, we’re simply about proactive artists just getting on and doing it, we’re about making art happen on our terms, we’re about the artists who excite us enough to make us want to share our space with them…”
Once again, in the style of the recent Reveal and Play shows (one in an East London railway arch, the other in a condemned warehouse), Debaser will be a coming together of artistic styles, expect the more adventurous rule-breaking side of street art jousting with contemporary fine artists, print makers, painterly painters, performers and more. Expect a four day gathering of pro-active artists in a rather exciting basement art space over in Dalston. London N16.
Debaser will open on Thursday evening March 24th at 6pm (open until 9pm) and then run from 11am until 7pm from Friday March 25th until Sunday March 27th
Artists involved – AGATA CARDOSO, ARINA ORLOVA, BRUCE LOVELOCK, CHARLIE McFARLEY, COS AHMET, DEBORAH GRIFFIN, EMMA HARVEY, JOANNA GEORGIADES, M.O.B, MARCELINA AMELIA, MATT REID, NADINE TALALLA, QUIET BRITISH ACCENT, ROSSO, SEAN WORRALL, SKELETON CARDBOARD and THIS ONE
(here may well be #43 smaller thorny SW pieces painted on wood and ready to hang on your walls should you wish, some will be at the opening, some will be painted during the show, all on sale for £5 each).
And we know Skeleton Cardboard is cooking up skulls and committing them to small pieces of affordable canvas. Emma Harvey is getting circular, Quiet British Accent are getting wordy, Matt Reid is fresh from a show at Doomed Gallery, that and creating imagery for Cleft, we have no idea what This One is painting on or what’s in these packages from Marcelina that have arrived already here in the Organ office….
BSMT Space can be found at 5D Stoke Newington Road, London, N16 8BH. Just up from Dalston Overground station, on the main high street, just by the Vortex and such…If I were you, I’d come on the Friday when Ridley Road Market was in full swing…
In the next few months. as the days grow longer, expect Cultivate events to happen on a boat on the Regent’s canal, in amongst the glorious colour of a tailor’s shop in East London, back under a railway bridge in Hackney, in an open-air square at the foot of Tower Bridge, and just maybe in a conventional art gallery or two as well, oh and back at the Brick Lane Art Car Boot Fair on Sunday June 12th, always one of our favourite days of the year Cultivate will be five this year, five years of doing it our way (the Organ way)
Organ is something that’s been around in one form or another for twenty-nine and a bit years now, these days Organ takes the form of a no thrills (almost daily) blog. It started life as a hand made hand screen printed zine, it has taken the form of a giant flyposter, an issue was printed on a t-shirt, several appeared as cassettes that were sold by hand at gigs and such as well as sent all over the globe via mailorder. Organ evolved in a glossy printed magazine, it gave birth to a record label and something like two hundred slices of vinyl and CD. There was a pre-internet long-before-you-tube weekly TV show broadcast on public access television, it gave birth to hundreds of Organ gigs, music events, art events and music festivals like the Eight Day Itch, there was a radio show on London’s arts radio station Resonance FM and eventually Organ helped gave birth to Cultivate (via the Stinging Netil thing where we took over a whole East London market for a day and filled with artists, performers and bands).
Organ can be followed over at www.organthing.com, you’ll find a daily dose of underculture, music, art, paint, news, sounds. in recent days there has been features on a new outdoor gallery called Elements, on Ivan Argote’s piece hanging outside Space studio, the art in the window on the Last Tuesday Society, the new album from Gitane Demone and lots lots (lots) more, do go explore, there’s lots to discover….
ORGAN THING: Elements, a potentially exciting new East London gallery out in the elements…
ORGAN THING: Mare Street, An Idea of Progress? Space, Stik, Last Tuesday Society, Ivan Argote, The Cockney Shoe Model, the Regeneration architect, the impact entrepreneur, the futures thinker and Tony Two Vans…
ORGAN THING: The Gitane Demone Quartet go way out past the sun (again)…